In the context of Gestaltung, an artistic language based on the unity of form and function, Ursula uses her photographs as a rich visual repertoire from which to draw the elements of her compositions. This approach allows her to capture a series of motifs in the real world, then transform them into works of art that transcend mere representation.
Through a process of abstraction and reinterpretation, Ursula extracts lines, shapes, colours and patterns from photographs and then recomposes them into new visual configurations. This method not only honours the principles of Gestaltung, which emphasises visual perception and the organisation of elements, but also allows the artist to create a bridge between the observed reality and her artistic vision. The result is works that are both rooted in direct observation and freed from the constraints of representation.
